Saturday, May 7, 2011

Film Research

Lately Conner and I have been watching--or rather, intensely studying--a few particular documentaries. We have a couple ideas of how we want our documentary to look and feel when it's done and all of our inspiration seems to be coming out of the 50's and 60's...conundrum: how to make a modern music documentary look vintage but all the while maintaining it's contemporary flair.

These are films we've been pouring over...

F For Fake. Directed by Orson Wells, 1974. A documentary-essay on art and authenticity that has very little semblance of linear narrative however, stick with this one and it'll be rewarding. Beautifully shot and edited...like a moving painting.

American Look. Produced by Chevrolet, 1958. Short film highlighting all the timeless designs created in the 50's...and then some promotional automobile footage thrown in at the end by Chevrolet. via Mid Century Modernist


And of course, one of my all-time favorites, Jazz On A Summer's Day. Directed by Aram Avakian and Bert Stern, 1959. The intro is gorgeous. They spend a good amount of time filming the visitors and people just hanging out before they get down to the performers. I think that splitting the focus of the film between the two subjects was brilliant; it completely sets the tone in which you watch Antia O'Day (giving a superb rendition of Sweet Georgia Brown), Chuck Berry, and Thelonious Monk play later on...relaxed, mint julep in hand, just ready to kick back and watch some amazing jazz.

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